An intervention at the Mies van der Rhoe Pavilion, Barcelona 2018

An production of Mies van der Rohe Foundation and MACBA

Public Hearing, 2018

In May 1963, the book Eichmann in Jerusalem: A Report on Banality of Evil was published, drawing together Hannah Arendt’s reports on the 1961 trial in Jerusalem of Adolf Eichmann, a lieutenant colonel in the SS and one of the greatest criminals in history. In the Spanish edition, the first chapter of the book is entitled “Audiencia pública” (Public Hearing).

To the Dead Heroes of the Revolution, 2018

Sandblasted stainless steel
156 x 156 x 89 cm
Work produced in collaboration with MACBA

The monument to Rosa Luxemburg and Karl Liebknecht, very forceful and formally and politically effective, became a meeting point for the German radical left. To reinforce its political function, beyond the metaphor of the volumes of used factory adobe bricks, Mies van der Rohe also designed a series of elements of normal communist political symbology: a large steel five-pointed star with a hammer and sickle in its centre and a pole on which to hoist the Red Flag on major occasions.

The star measured two metres and eighty centimetres across and a small manufacturer could not be commissioned to make it and thus Mies van der Rohe commissioned the Krupp steelworks. The Krupps, a major German industrial dynasty later known for their collaboration with Nazism and the use of slave labour during the Second World War, refused to supply a communist symbol. Faced with this refusal, the architect ordered five pieces of diamond-shaped steel, five pieces divested of any political significance, which Krupp agreed to supply. Once they had been assembled, they became the five-pointed star which presided over the monument until it was taken down by the Nazis and exhibited in a museum of insignia and flags which had been confiscated from enemies.

The Den toten Helden der Revolution piece (To the Dead Heroes of the Revolution, 2018) recreates this prior moment of impasse, in which five silent geometric shapes, at rest, can unleash their capacity for political activism.

19 Apr. to 11 Sep. 2018


‘The Stadium, the Pavilion and the Palace’ by Domènec

19 Apr. to 11 Sep. 2018
MACBA Museu d’Art Contemporani de Barcelona

Sostenere il palazzo dell’utopia at Quaderns d’Arquitectura i Urbanisme # 268-269

MUSAC, Museo de Arte Contemporáneo de Castilla y León
Avenida de los Reyes Leoneses, 24
24008 León

17 February, 2018 – 3 June, 2018

Artists: Toni Amengual, Sergio Belinchón, David Bestué, Albert Corbí, Juan Cruz, Domènec, Chus Domínguez, María García Ruiz, Alejandro S. Garrido, Iñaki Gracenea, Fran Meana, Rosell Meseguer, Txuspo Poyo, Ignasi Prat, Fernando Sánchez Castillo, Santiago Sierra, Begoña Zubero

Curatorship: Manuel Olveira